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A biography profiling the life of Johannes Gutenberg, a man from the Renaissance era who is best known for developing the printing press along with the printing of a bible. Includes source notes and timeline.

Formateinband: Leinen-Einband mit goldgeprägten Lederschild und -Rückenschild / gebundene Ausgabe 200; 36 S. (44x32 cm) Kommentarband mit Beiheft und mit einem beiliegenden Faksimile der Tabula Rubricarum nach dem Exemplar der Bayerischen Staatsbibliothek München; Gut und sauber erhalten! Sprache: Deutsch Gewicht in Gramm: 4000 [Stichwörter: ]

Neuware -Johannes Gutenberg, 1998 zum 'Man of the Millennium' gekürt, ist trotz der ungebrochen von ihm ausgehenden Faszination als historische Person erstaunlich dürftig in nur wenigen Dokumenten eindeutig belegt. 550 Jahre nach seinem Tod sind etliche Fragen zu seiner Vita noch immer ungeklärt: Der Erfinder und seine Erfindung bieten so auch heute noch viele Möglichkeiten der Annäherung und Vereinnahmung, die stets zeitgebunden und breit gefächert sind. Die Autorinnen und Autoren hinterfragen gängige Deutungen und erweitern sie unter neuen Fragestellungen. Die Schwerpunkte der Beiträge liegen auf dem Erfinder der Druckkunst, der Einordnung in seine Zeit und sein Umfeld, der Wirkung seiner Erfindung und den Formen und Funktionen seiner Rezeption. Damit aktualisieren sie das Bild von Gutenberg, dem berühmtesten Sohn der Stadt Mainz und dem Namensgeber der 1946 wiederbegründeten Universität. 378 pp. Deutsch

What was made of rags and bones, soot and seeds? What took a mountain to make? For the answer, travel back to the fifteenth century―to a time when books were made by hand and a man named Johannes Gutenberg invented a way to print books with movable type. Written as a series of riddles and illustrated in the style of medieval manuscripts by an award-winning author and artist, From the Good Mountain will intrigue readers of all ages. On every page there is something surprising to learn about how the very thing you are holding in your hands came to be.

How were the first fonts made? Who invented italics? When did we figure out how to print in color? Many of the standard features of printed books were designed by pioneering typographers and printers in the latter half of the fifteenth century. Johannes Gutenberg is credited with printing the first books in Europe with moveable type in the fifteenth century, but many different European printers and publishers went on to find innovative solutions to replicate the appearance of manuscript books in print and improve on them throughout the Renaissance. The illustrated examples in Typographic Firsts originate in those early decades, bringing into focus the influences and innovations that shaped the printed book and established a Western typographic canon. From the practical challenges of polychromatic printing and sheet music printing to the techniques for illustrating books with woodcuts and producing books for children to the design of the first fonts, these stories chart the invention of the printed book, the world’s first means of mass communication. Also covering title pages, maps, printing in gold, and printing in color, this book shows how a mixture of happenstance and brilliant technological innovation came together to form the typographic and design conventions of the book.

How were the first fonts made? Who invented italics? When did we figure out how to print in color? Many of the standard features of printed books were designed by pioneering typographers and printers in the latter half of the fifteenth century. Johannes Gutenberg is credited with printing the first books in Europe with moveable type in the fifteenth century, but many different European printers and publishers went on to find innovative solutions to replicate the appearance of manuscript books in print and improve on them throughout the Renaissance. The illustrated examples in Typographic Firsts originate in those early decades, bringing into focus the influences and innovations that shaped the printed book and established a Western typographic canon. From the practical challenges of polychromatic printing and sheet music printing to the techniques for illustrating books with woodcuts and producing books for children to the design of the first fonts, these stories chart the invention of the printed book, the world’s first means of mass communication. Also covering title pages, maps, printing in gold, and printing in color, this book shows how a mixture of happenstance and brilliant technological innovation came together to form the typographic and design conventions of the book.

The complete King James version of the Holy Bible.The Holy Bible was first copied by scribes, and because of its length and the time it took to transcribe each book by hand, only the wealthy could afford a copy. It wasn’t until the 1440s when Johannes Gutenberg invented his revolutionary printing press that the Bible was available to everyone. This flexibound edition of the King James version of the Bible is enclosed in a protective slipcase and includes pages on which you can record key life events such as births, christenings, and marriages.  

Hugo winner Jim C. Hines's hilarious and clever Magic ex Libris series, where books come alive and libriomancer Isaac Vainio combats magical threats that spring from the pageFive hundred years ago, Johannes Gutenberg discovered the art of libriomancy, allowing him to reach into books to create things from their pages. Gutenberg’s power brought him many enemies, and some of those enemies have waited centuries for revenge. Revenge which begins with the brutal slaughter of a wendigo in the northern Michigan town of Tamarack, a long-established werewolf territory.Libriomancer Isaac Vainio is part of Die Zwelf Portenære, better known as the Porters, the organization founded by Gutenberg to protect the world from magical threats. Isaac is called in to investigate the killing, along with Porter psychiatrist Nidhi Shah and their dryad bodyguard and lover, Lena Greenwood. Born decades ago from the pages of a pulp fantasy novel, Lena was created to be the ultimate fantasy woman, strong and deadly, but shaped by the needs and desires of her companions. Her powers are unique, and Gutenberg’s enemies hope to use those powers for themselves. But their plan could unleash a far darker evil...

The combination of the woodcuta print method devised early in the fifteenth centurywith Johannes Gutenberg's revolutionary invention of printing with moveable type resulted in a powerful explosion of information and ideas. For the first time, it was possible to use a mechanized system to print identical copies of books containing both text and images. Featured in A Heavenly Craft are the earliest surviving examples of these books from throughout Western Europe, all printed within the first century after Gutenberg's invention. The contributors bring these rare books to life, exploring the evolution of the technique, composition, and coloration of the woodcut beginning with the earliest publications. Many of the woodcut designs grew out of the tradition of manuscript illumination, in which book illustrations were painstakingly executed by hand. The authors also present the distinguishing features of national style and taste, treating the reader to examples from Germany, Italy, France, Spain, and the Netherlands. In addition, A Heavenly Craft describes the provenance of these volumes, providing an account of how Lessing J. Rosenwald purchased them from the heir to the Lea and Perrins fortune and later donated them to the Library of Congress. These early printed volumes are the predecessors of today's illustrated books. A Heavenly Craft celebrates these origins, making these early publications available to bibliophiles and print lovers. 100 color illustrations.

The Evolution of Type examines 100 landmark typefaces from the history of font design, from the type used by Johannes Gutenberg to produce his 42-Line Bible, to the latest digital typefaces. It reveals the meaning behind typographic characters and shows how the use of type has changed over time. A full spread is devoted to each typeface and its origins. Concise text describes the design history and usage of the face, and its long-term impact on the development of typefaces. Annotated enlargements show the new features that the typeface introduced and highlight its most important design characteristics. The book is organized in six chapters: 1455-1700 The start of it all: The first typefaces are designed in Germany, Italy, France and the Netherlands 1700-1890 The emergence of literacy: The popular desire for reading material drives invention 1890-1920 The first technological age: Type foundries become big business and mass production becomes reality 1920-1960 Type meets art: Typographic originality and creative culture embrace on an industrial scale 1960-1990 Type become cool: Type influences international style 1990-today The second technological age: Typesetting for the masses. The Evolution of Type has practical applications in many fields of graphic design. General readers will enjoy learning about something that they encounter every day. They will gain an appreciation for the unique characteristics of a word beyond its dictionary definition.